In the United States, Nielsen has long been the main source of data for evaluating television shows and stations for advertisers. It's considered a very reliable source. So their inclusion of data on web video watching habits in their 2011 report on the "The U.S. Media Universe" is a real boon to anyone planning to enter this field. It's interesting to ask what are the consequences to free culture productions and the free software used for creation and consumption of video arts.
The US Department of Justice, chose the day after the massive Internet blackout protest against SOPA / PIPA to demonstrate their power by acting as if these laws were already in effect. At first, I was simply dismayed and angered by this reprehensible act, but I began to wonder if there isn't also an opportunity here to challenge a major part of of the legacy entertainment industry's rhetoric in a court of law, where their mendacity on the subject would constitute perjury.
So far, my favorite video editing app is Kdenlive. I found that it provided a relatively shallow learning curve and a familiar multi-track interface, but it also didn't make it hard to get to the kinds of controls I need for the precise control I want to have on vocational editing jobs.
The OpenShot video editor was the easiest to get in Ubuntu Studio's "Oneric Ocelot" release, so we had a chance to try it out recently. It's pretty good -- much more capable than Kino. It provides similar capabilities to Blender's VSE, but without the burden of learning Blender. In fact, the learning curve is very gentle, because the interface is clean and simple.
Coming from Kino, Blender's "Video Sequence Editor" is a huge step up. Most people don't think of Blender when considering video editing tools, but in fact, Blender contains a very good one. This is not a separate application but an editing mode within the Blender application. It can work directly with animated scenes created within Blender or with video footage from other sources. Evaluating it is a little tricky because of this unique niche.
Last year, as I was checking the licensing and attribution on the tracks in my soundtrack library for Lunatics, I came across a bizarre and rather disturbing practice: bait and switch licensing as a ploy to sell music. This is a truly weird idea, if you understand what a free-license means, and it's deeply unethical, but here's what I think is going on: the artist (or more likely, some intermediary, such as a small record label) gets the idea of using a "free" loss-leader to try to draw people into buying a commercial/proprietary album.
You've just got to love those crazy Swedes. Liberal, progressive, cool and politically correct. What's not to like? They've excelled themselves this time though. As dedicated filesharers they applied, and succeeded at the third attempt, to register filesharing as a religion.
One of the responses to my earlier post about the MusOpen symphony recording project mentioned a project I had overlooked: the Open Goldberg project has created new public domain scores for the Bach's "Goldberg Variations" using the MuseScore free software musical notation software and is commissioning a studio recording of piano soloist Kimiko Ishizaka performing the pieces, also for public domain release (with
This is getting seriously ridiculous. Relative to the power and feature sets computers are getting cheaper and cheaper. But they don't come much cheaper than the Raspberry Pi, a $25 computer designed specifically to encourage children to program. My colleague, Ryan Cartwright wrote about it right here on FSM.
If there's anything 2011 will be remembered for, it's probably going to be the wave of mass protests that reverberated around the world (and is still traveling). I don't think we've seen the end of this. I think this is the leading edge of an on-going pattern that will continue for decades. What's happened is that a kind of behavior common online has jumped a groove and found a place in the "real world".
The wilder shores of the internet are awash with bizarre stories but the one I'm about to relate just has to be one of the most extraordinary things I have ever heard in relation to FOSS. You will have heard about SOPA and the reaction against it in the open source community including petitions, boycotts of GoDaddy etc. Look, that's small potatoes. What these guys are plannng is out of this world. Literally. Read on.
You've probably heard of "Last FM", a music playlist site that allows users to track their favorite bands and listen to music streamed over their mobile devices. But you may not have heard of Libre FM, a recent free software project and free culture web application intended to serve this purpose exclusively for free-licensed musical works.
Python scripting in Blender seems like a natural interest for me, as I'm interested in both Blender and Python. I really enjoyed reading this book on the subject, and the examples were certainly interesting. However, there is one small problem that I didn't realize until after I had read it: Blender's Python API changed a lot in the major re-write that accompanied the transition from Blender 2.4x to 2.5x. This unfortunately is going to make this book dated a lot sooner than you might expect. So, while I do think it's a great book, I might have to recommend waiting for a version updated to Blender 2.5x.
Just how do you establish a niche in the browser market when it is already saturated with so many competitors? Well, you could use Webkit and QT, throw in a few neat features and see where that takes you. That's exactly what the developers at QupZilla did. So, I decided to take a look at the substance behind that quirky name.
Jamendo has been one of my favorite sites for finding free-licensed music (i.e. music licensed under Creative Commons Attribution or Attribution-ShareAlike licenses) for projects. So, it's very sad for me to find out that it has had a flagging reputation over the last year or so. I first noticed earlier this year that some artists were disappearing from the site.
Recently, as I was browsing the shelves of my local used book store, I realized that I was engaged in "piracy" of exactly the same kind as what the legacy entertainment industry has slammed as a scourge so terrible that it is worthy of giving up our online freedoms to protect. This is what SOPA is supposed to protect us from.
The Blender Foundation has started a new "Open Movie" project called "Mango", and this one is of particular interest to me for Lunatics, because of the technical goal: motion tracking. Motion tracking is principally about putting animated 3D objects into real footage so that it matches the background "plate" (i.e. the original footage).
If your computer is so old that it was last spotted in the wild roaming with the dinosaurs before they were flamed by an extinction-level event, then (like me) you just might just be grateful for Unity (2D) to extend the lifetime of your machine. Since the doctors switched off the life support on my best, though ageing laptop (private funeral only, no flowers, donations in lieu) I've had to switch the hard drive into my second best machine. The problem is that it's even older, at seven or eight years (probably about sixty eight in dog years).