YouTube is good, but not ideal, and the lack of a download link is somewhat annoying. So I spent some time researching good free media hosting sites for large files and ISOs. Torrent sites are particularly good for hosting the high-definition versions.
There is a problem with the world of illegal piracy that we have online today, but it's not what the RIAA and MPAA want you to think it is. It's that we've become accustomed to participating in illegal copying, and yet it is still illegal. This means that we have the illusion of a body of work that can be built upon, remixed, and combined with new work, but if real artists practice this commercially, we are exposed to legal attack.
Recently, as I was browsing the shelves of my local used book store, I realized that I was engaged in "piracy" of exactly the same kind as what the legacy entertainment industry has slammed as a scourge so terrible that it is worthy of giving up our online freedoms to protect. This is what SOPA is supposed to protect us from.
Over at Sphere of Networks, I published a text that tries to give a simple overview of the workings of information production in the age of the internet, covering everything from free software to free culture. This article is a slightly modified version of a chapter of this text. I will show how peer-to-peer file-sharing networks work and how Big Media tries to prevent this sharing by means of random lawsuits and by using DRM. What does this copyright war mean for consumers and for our culture as a whole?
This post is actually a continuation of the two I posted in December, which left a couple of open questions:
- Is it legal to create MP3 files out of music CDs you legally own, to take them away with you and listen to them more comfortably (e.g.: with an iPod, or an MP3-enabled car stereo)?
- Is it legal to create MP3 files out of music CDs you legally own and then lend the original CDs to someone else?
The answer, of course, depends on the laws of the country you live in.