Recently, as I was browsing the shelves of my local used book store, I realized that I was engaged in "piracy" of exactly the same kind as what the legacy entertainment industry has slammed as a scourge so terrible that it is worthy of giving up our online freedoms to protect. This is what SOPA is supposed to protect us from.
The Blender Foundation has started a new "Open Movie" project called "Mango", and this one is of particular interest to me for Lunatics, because of the technical goal: motion tracking. Motion tracking is principally about putting animated 3D objects into real footage so that it matches the background "plate" (i.e. the original footage).
I am becoming more and more convinced that the real thread to free software (and I am talking here about software released under a free license, not software that you can download and use for free) is contempt. Proprietary software is a competitor, but not a real threat. Proprietary software cannot really kill free software: no matter how many law suits you start, how many patents you file, how many pre-installed versions of Windows you have, common sense will always win. Contempt, however, the the real danger.
If your computer is so old that it was last spotted in the wild roaming with the dinosaurs before they were flamed by an extinction-level event, then (like me) you just might just be grateful for Unity (2D) to extend the lifetime of your machine. Since the doctors switched off the life support on my best, though ageing laptop (private funeral only, no flowers, donations in lieu) I've had to switch the hard drive into my second best machine. The problem is that it's even older, at seven or eight years (probably about sixty eight in dog years).
It looks like 2012 is going to be a great year for free culture. Possibly my favorite development is that MusOpen has organized its planned symphony recordings for this January. In September, 2010, the free culture organization raised over $68,000 (several times their $11,000 goal) through a Kickstarter campaign, with the intent of commissioning a "internationally renowned orchestra" to perform the Beethoven, Brahms, Sibelius, and Tchaikovsky symphonies.
If you use Google Documents, you might want to be able to access your files without using a browser. So, I was all set, happy to write a good blog entry about how to mount your Google Documents folder on your Ubuntu. (This is not a very free-software thing to do, granted. But then again, if you are an Ubuntu One user, well, Ubuntu One server isn't free software either. But, it's a service, and interfacing to things is crucial.)
So, is it actually possible?
In the first part of this series I looked at the Raspberry Pi -- a $25 computer which is being developed to remove one barrier to encouraging the next generation of programmers. It's ambitious and commendable but on its own it may not be enough. The choice of software for such a project is important and as important is the implementation of that software.
Film is a very comprehensive art form, probably the most that we have available to us at the moment, so it should be no surprise that a free film project severely tests the limits of available free software, not only for authoring the film, but also for collaborating on its creation. In the case of "Lunatics", we need to combine some of the community development software that is frequently used for free software development with tools allowing a lighter-weight interaction more comfortable for creative contributors, and finally, a fan-friendly public face. It's tricky, and I don't think we're really all the way there yet, but over this Summer, I've managed to find and assemble the necessary parts for our online presence. My solution combines several different platforms, and uses a few remote or "cloud" services as well.
Recently, I was directed toward an excellent analysis of commons-based peer production as a phenomenon which separates "entrepreneurs" (who want to get things done and create value in the world) from "capitalists" (who want to get a return on an investment of property without contributing any labor). An observer -- clearly outside of the community of free software developers -- expressed dismay at the example of Mozilla Foundation, which makes money from the open source Mozilla project, but does not pay for most voluntarily contributed code improvements to the Mozilla software. Is he right? Is this exploitation of those contributors?
In my previous article I went through the history of the competition cases of the European Commission against Microsoft Corporation that led to the deployment of the website browserchoice.eu to allow consumers to freely choose their browser. Yet this is not enough: the origin of all problems is that most PCs in the market are sold bundled to a single operating system, Microsoft Windows.
I shall analyse how this panorama of poor competition could change if there was such a thing as OSchoice.eu .
If you keep your eyes and ears on tech news, chances are you've heard of Raspberry Pi -- an ambitious project to create a small form-factor usable computer for the education market which will be available for £15/$25. The price is not the ambitious part though, it's the aims of the project behind it which I think are ambitious and worthy of some attention. Of course with that price it can only be based on free software.
Well, it's not exactly brand new, but I am taking my first real look at Ubuntu Studio 11.04 (based on Ubuntu "Natty Narwhal"). This is what we decided to put on our "guest" computer when Debian "Wheezy" proved not to be so easy, and it gives us an opportunity to step out of our rut and look at a new GNU/Linux distribution.
For a demonstration in a class I'm teaching, I recently assembled a video from a PNG stream with Sintel (except just the trailer, it was a more manageable size for the demo).
My example's a bit different, so bare with me.
We're putting the finishing touches on our initial Kickstarter campaign for our free-culture science-fiction web series "Lunatics", which is being made with free software tools in a process very similar to free software development. This is an experiment in commercial free culture, using the platform that has quickly come to be the standard for this kind of project fund-raising. Is Kickstarter all it's cracked up to be? I think it is, and for this installment in my "making free movies with free software" series, I'd like to explain why.
We all know about the overwhelming supremacy of proprietary software in the desktop market. But not everybody knows that some steps have been taken to try to limit it, in favour of a more fair competition among vendors, and between the proprietary and free software worlds. A key player in assuring that the markets are not artificially biased is the European Commission for Competition.
There are times when I think that there is a special, darkened room at Microsoft peopled by a bunch of guys who seem to have nothing better to do than sit and think up some new wheeze to nobble the opposition. The rap sheet is an inditment in itself: trusted computing, internet driving licenses, DRM, bullying hardware vendors and attempting to strong arm sovereign nation states. You wouldn't think the list could get any bigger. It just has; but then, recidivism in incurable.
Home recording is not that hard or expensive to do, and Audacity provides a great tool for recording and editing dialog. I recently got the equipment together to do decent voice recording for our "Lunatics" video project. Total cost was under $150.00 for a condenser USB microphone system, and the sound is a tremendous improvement over my previous attempts. Now our biggest challenge is the room acoustics. So far, we're having a lot of fun recording dialog.
Digging through "free" sites to sort the "free beer" from the "free speech" content is quite a chore. Many of the sites are not useful for free culture projects, and many make it very difficult to tell. Fortunately for you, I took notes! Here you will find 8 sites with free-licensed content, 8 more with licenses that you'll probably find acceptable for many projects, and 20 others that might be useful on some projects if you're not a purist. There are also 22 sites I have to warn you away from, because their terms are incompatible with use in free-licensed productions.
Joomla 1.7 stable release was available on the 19th July 2011. The new features are primarily behind the scenes, and are not as “visible” as features have been for other Joomla upgrades. Yet the new features are very powerful and they include one click upgrades, and Joomla Platform is now split from the cms.
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