When the coalition UK government was formed following the last general election there was some guarded optimism among those who support open standards (many of whom also support the ideals of free software). This was based on pre-election rhetoric from the two parties that formed the coalition in 2010. Less than a year later stories hit the headlines of a new open standards procurement policy.
A few years ago, I discovered a site called "FreeSound.org" which sounded quite exciting, but turned out to be rather disappointing because the content was released under the Creative Commons "Sampling+" license, which is not a free license. This made all of the content incompatible with use on free software or free culture projects, and was very frustrating, especially given the name. Last month, though, Creative Commons decided to retire the Sampling+ licenses, and FreeSound.org is rolling out a new site with a license chooser that favors the "CC 0" public domain declaration and the "CC By" attribution licenses -- both compatible with free projects. This will be a big help for free-culture multimedia projects.
If there's anything 2011 will be remembered for, it's probably going to be the wave of mass protests that reverberated around the world (and is still traveling). I don't think we've seen the end of this. I think this is the leading edge of an on-going pattern that will continue for decades. What's happened is that a kind of behavior common online has jumped a groove and found a place in the "real world".
The wilder shores of the internet are awash with bizarre stories but the one I'm about to relate just has to be one of the most extraordinary things I have ever heard in relation to FOSS. You will have heard about SOPA and the reaction against it in the open source community including petitions, boycotts of GoDaddy etc. Look, that's small potatoes. What these guys are plannng is out of this world. Literally. Read on.
In an earlier phase of my life, I worked as a professional astronomer, and I've loved space and astronomy since before I could pronounce the words. So naturally, I've gotten a lot of personal pleasure from the free software astronomy tools that are included in my Debian GNU/Linux system. But ironically, I haven't written about them much. Recently, though, I was asked a question which I used KStars to answer, so this is a good chance to talk about how to use it.
You've probably heard of "Last FM", a music playlist site that allows users to track their favorite bands and listen to music streamed over their mobile devices. But you may not have heard of Libre FM, a recent free software project and free culture web application intended to serve this purpose exclusively for free-licensed musical works.
Python scripting in Blender seems like a natural interest for me, as I'm interested in both Blender and Python. I really enjoyed reading this book on the subject, and the examples were certainly interesting. However, there is one small problem that I didn't realize until after I had read it: Blender's Python API changed a lot in the major re-write that accompanied the transition from Blender 2.4x to 2.5x. This unfortunately is going to make this book dated a lot sooner than you might expect. So, while I do think it's a great book, I might have to recommend waiting for a version updated to Blender 2.5x.
I was working on a big website recently and faced a really tedious job in editing the content. I needed to find and replace certain words, like 'southeastern' for 'southeast', scattered over something like 140 files in half a dozen folders.
What to do? Install a powerful Content Management System with lots of menus and a global editing tool? Nope. I took the easy way out, using the tools at hand. The trick was to remember that webpages, regardless of how complicated they look in a browser, are really only plain text files.
Just how do you establish a niche in the browser market when it is already saturated with so many competitors? Well, you could use Webkit and QT, throw in a few neat features and see where that takes you. That's exactly what the developers at QupZilla did. So, I decided to take a look at the substance behind that quirky name.
If you happen to be around here a lot, you probably noticed that things have changed a little: last month, we released our new web site (which is the one you are looking at right now) with a much more friendly look. If you happen to have a phone or a tablet, you would have also noticed that Free Software Magazine is now very phone and tablet friendly.
That's the dress. What about the magazine itself?
NGINX is the new start rising in the landscape of web servers. Well, it's hardly "new" -- it will soon turn 10. However, it's definitely rocking the web server world, with Netcraft showing a huge increase in usage in the last few months.
I was fortunate enough to catch up with NGINX's author, Igor Sysoev, who agreed on answering a few questions for us. So, here is a glimpse on their business model, their new 2.0 version, and more.
UPDATE: As pointed out by Bill Slawski, most recently submitted patent applications don't show up within that time period in USTPO searches or Google's patent search because they are initially filed confidentially, under 35 U.S.C. 122 Confidential status of applications; publication of patent applications. So, I was gracefully wrong!
Software patent wars have always existed: companies fought them (or paid up), sometimes quietly, sometimes making a big fuss. However, something has changed over the last year or so: people started getting directly affected by software patents (ask anybody wanting a Samsung Galaxy Tab in Australia for Christmas 2011...). Lately, two things came to my attention: Google acquired 200 patents from IBM. But, more interestingly: Google hasn't filed any patents over the last several months.
Jamendo has been one of my favorite sites for finding free-licensed music (i.e. music licensed under Creative Commons Attribution or Attribution-ShareAlike licenses) for projects. So, it's very sad for me to find out that it has had a flagging reputation over the last year or so. I first noticed earlier this year that some artists were disappearing from the site.
I wanted to make an impression with my title. I hope I managed. I am writing this article as Gingerbreak's wheel spins aimlessly runs on my Galaxy S phone. I have little hope that I will actually be root on my phone. Here I am: I intended to write an article about Busybox, in order to turn an Android phone into something that really resembled a GNU/Linux system. I failed, twice: as a user, I failed gaining control of my own phone. As a free software advocate, I failed warning people about what could have happened -- and indeed I let it happen.
Recently, as I was browsing the shelves of my local used book store, I realized that I was engaged in "piracy" of exactly the same kind as what the legacy entertainment industry has slammed as a scourge so terrible that it is worthy of giving up our online freedoms to protect. This is what SOPA is supposed to protect us from.
The Blender Foundation has started a new "Open Movie" project called "Mango", and this one is of particular interest to me for Lunatics, because of the technical goal: motion tracking. Motion tracking is principally about putting animated 3D objects into real footage so that it matches the background "plate" (i.e. the original footage).
I am becoming more and more convinced that the real thread to free software (and I am talking here about software released under a free license, not software that you can download and use for free) is contempt. Proprietary software is a competitor, but not a real threat. Proprietary software cannot really kill free software: no matter how many law suits you start, how many patents you file, how many pre-installed versions of Windows you have, common sense will always win. Contempt, however, the the real danger.